Managing a job, a family,
and a book

Managing a job, a family, and a bookComing back to my blog after a babymoon, I thought it would be interesting to touch on a topic that has been prominent in my mind, and something that I know many people struggle with: how to manage a job, a family, and personal time for creative expression.

Most people have a 9 to 5 day job (if they’re lucky; for many folks, it’s longer). Then, if they can muster the energy, they carve time out for their personal projects around their bumpers of sleep. Be it late in the evening or early in the morning they must preserve a time for creativity.

Derick and the Baby
For me, as a new father to an infant, my world has suddenly dramatically shifted from focusing on my own personal projects to ‘how much sleep can I recoup‘ or ‘when can I have a walk with my wife alone’. My energy and inspiration has gone through a dramatic reality check and I’ve had to evolve my discipline and schedule to meet the challenges of managing a baby. Simultaneously, as all parents know, I’ve been exposed to a new level of inspiration and love that has pushed me further to create.

To help myself try to balance everything, I created an ideal schedule to serve as a starting point, a foundation to help keep my work-life balance in order.

Schedule Foundation
Schedule Foundation

While this schedule may be my ideal, reality has forced me to move things around. For example, I’ve recently been shuffling my professional networking and social time to adapt to the baby’s sleep schedule. While it used to be on Tuesday evenings, recently, I try to schedule this time over lunch, or on a night when my wife has more flexibility in time to take care of our daughter. However, in moving one activity, I try not to steal time from another. So, if I need to have 2 or 3 networking or social events in one week, I then need to be accountable for the time that I didn’t have with my family and I have to shift time the following week to balance out the month.

Schedule Reality
Schedule Reality

Currently, with my new fatherhood responsibilities, my biggest challenge has been managing my lack of sleep. While this exhaustion has made getting up early to exercise or carving out time for writing difficult, having a foundation schedule has helped me keep reasonable short term goals. And now, as my daughter is getting a little older and settling into a routine, hopefully I will be able to as well.

Most importantly, despite my creative world being turned upside down, I’ve got one of the most inspiring little creatures at my fingertips now!

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Starting a Plot Outline

Starting a Plot OutlineTo write about the plot outline process,  I had to carefully balance not giving away every plot-line element in my current book while explaining how I landed on it’s structure. So, in order to shape a dialogue around this topic, I decided to dissect an existing story and re-tell it from a different character’s perspective. This technique has been used on many well known books and movies– it’s called the Rashomon Effect.

For my example, I’m going to take the story The Elephant’s Child from Just So Stories by Rudyard Kipling and create an outline of the existing story with the Freytag pyramid. After which, I’ll use the Rashomon Effect to create an alternate storyline in a parallel Freytag Pyramid.


The Elephant’s Child–Original Plot

Exposition:
The Elephant’s Child, a child with ” ‘satiable” curiosity who lives in Africa is constantly getting in trouble with his family for asking too many questions.

Rising Action:
The Elephant’s Child keeps getting spanked by his relatives for his curiosity over what crocodiles eat. Out of desperation to know the answer, he leaves the safety of his family to pursue the truth.

Climax:
Naively, the Elephant’s Child asks the Crocodile what crocodiles eat, not realizing he is talking to a crocodile. The Crocodile answers by chomping down on and tugging the Elephant’s Child’s nose.

Falling Action:
The Elephant’s Child’s nose begins to stretch and stretch as the Crocodile pulls. With the help of a Bi-Coloured-Python-Rock-Snake though, the Elephant’s Child is able resist the crocodile until he gives up and lets go.

Denouement:
After waiting 3 days for his nose to shrink back, the Elephant’s Child unconsciously swats at a fly on his back that would have been previously out of reach. Then, he reaches down with his new elongated nose, pulls a large bundle of grass from the earth, and stuffs it in his mouth. Not even thinking, he then scoops up some mud and slaps it on his head to cool himself off. With these new found nose-abilities, the Elephant’s Child goes home to spank his family with his new trunk.


The Elephant’s Child–Alternate Plot

Exposition:
The Wise Crocodile who lives in Africa is frustrated over the younger generation of animals scaring food away.

Rising Action:
At the river bank one day, the Wise Crocodile gets inpatient when a group of young crocodiles refuse to hunt in the traditional ways. Out of frustration, he decides to go hunting upstream away from them all.

Climax:
After a few hours of seeing nothing, the Wise Crocodile decides to take a nap on the river bank. To his surprise, he is awakened by a young elephant asking him what crocodiles eat. Rather grumpy and hungry, the Wise Crocodile decides to take this opportunity by the nose, and tugs…

Falling Action:
The Wise Crocodile has never seen a nose stretch so long before. Just when he thinks he has the young elephant in his grasp, a Bi-Coloured-Python-Rock-Snake decides to help his naive prey. Afterwards, sitting high above the stream and out of the crocodile’s grasp, the young elephant proceeds to scare all other animals away by his very loud complaints about his new nose.

Denouement:
Annoyed by the commotion, the Wise Crocodile decides to go back to his original feeding ground. He swims back down to the main river bank and discovers that all the young crocodiles have finally moved on. With the water’s edge calm and quiet, and a little bit of patience, he is able to wait and eat a hearty fish dinner.


You can see that different perspectives of the same story create an opportunity to explore character development and plot possibilities. The Freytag Pyramid is one construct to guide your basic plot structure and fully explore what your story can be.

 

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Reaching a first draft: defining a timeline and milestones

Reach First DraftThere are several ways to plan writing a story as a First Draft. Some people have a clear idea of what tale they want to spin, they write it, and then they find a way to publish it. Other writers start by testing their market, and then writing a story to reach their specific target audience. In my case, I am pursuing a hydrid approach- we’ll see how it works… I’m still trying to figure out the right balance.

As I started preparing to write my story, I knew the basic plot structure and how I wanted to differentiate it from other mysteries. But having a big idea and making it a reality on paper requires some planning. First, I made a projected schedule of milestones to guide my story development (below). Having some form of protective boundaries like these during the creative process is a must, but my boundaries were carefully established so they were not too creatively restrictive or too lackadaisical. For me, as I write, I need to continuously step back and take a breath and ask myself what’s working and what’s not? Then, I refine my process. But, everyone operates differently, and what works for me may not be the best scenario for you. Moving forward, as I shape my ideas onto paper, I plan to share specific chapters with you, in order to gauge how the story is flowing.

For this post, I’m avoiding the role of an agent, publisher, and marketing requirements for story development and how the first draft is handled. I promise this will be further down the road.

For my First Draft timeline, I identified the following milestones:

*Defining Timeline

  1. Writing
    • High level- Plot Outline
    • Opening
    • Conflict
    • Climax
    • Post Climax
    • Resolution
  2. High level- Characters development
    • Personas
    • Dialogue
  3. High level- Environments
    • Setting
    • Subtles of life (my collected ideas for content bridging.)
  4. Plot, Character, and Environment integration
    • Refined Plot
    • Refined Characters
    • Refined Environment
  5. Editing Review
    • Self
    • Editors

*First Draft Completed

 

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